# My Time in New York: When Words Come Alive
There was no time or residual energy to blog while I was there, so let me relive it for you now.
## Day One: The Magic Begins
May 12th found our *Lullaby for Winnie* team gathering at the Dramatists Guild Foundation (DGF) . First, let me tip my hat to the DGF—they provide rehearsal and writing rooms that save you a bundle rather than renting studio space, which can easily run $500 a day. And up. It's New York, after all.
We all meet nervously but excitedly. Introductions reveal that most know each other by one or two degrees of separation—the beautiful, interconnected world of New York theater. Peter Samplierie, our director, guides us expertly through the process. Constance (Emily), Kathleen (Marcia), and John (Steven) are all thrilled to be working with Winnie (also Jon), as none had worked with a puppet before. And what a puppet—a Great Dane with real stage presence.
When Words Transform
The first read-through goes beautifully, with nary a dry eye in the room. These are professionals who've already done their homework on their parts. Watching talented actors sculpt your words is breathtaking. I can hear what I think are realistic, dramatic voices in my head, but until you hear your lines read by Equity actors, you hardly have any idea what you've really created.
And it is beautiful. I am proud. I am confident. And yes, teary.
The Process Unfolds
Peter walks us through the schedule ahead. He's carefully planned the blocking and readings around everyone's availability—I'm reminded that most actors juggle multiple jobs to afford the opportunity to do what they love. This truly is a calling.
Sitting in that room, listening to my words come alive through these gifted performers, I feel incredibly fortunate to have this cast. I thank Peter for assembling such a talented group.
I can't wait for tomorrow.
More from my New York adventure coming soon...
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